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Subject: {ASSM} Innocence Lost Ch. Twenty Five (25/36) {Bradley Stoke} (HFf
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Date: Wed,  7 Jul 2004 02:10:03 -0400
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Title: {ASSM} Innocence Lost Ch. Twenty Five (25/36) {Bradley Stoke} (HFf caution)
Author: Bradley Stoke
Part: Chapter 25 of 36
Keywords: HFf caution 
Short Summary: Innocence progresses her career in fuck films.

Innocence Lost
==============

Resume of whole novel
=====================

Innocence is a girl quite simply lost in a world where she feels she 
doesn't belong. And no wonder! Innocence is no ordinary girl. Despite 
her beauty, she has a penis and a pair of testicles that marks her out 
from everyone else. Innocence is lost. This novel tells how Innocence 
finds herself through sex, love and videotape. 



For More : http://www.asstr-mirror.org/files/Authors/Bradley_Stoke/www


Previously
==========

Innocence is persuaded by Dodie to make fuck films for a living. 



Chapter Twenty Five
===================


In Which Innocence is matched with virginity, a career in 
giving pleasure to unknown benefactors is reviewed and 
Leon's own artistic vocation is revealed. 



It took a lot of persuasion and a lot of money, but 
eventually Innocence agreed to make a Virginity Loss 
film (or Bleeding Fanny Film as they were less subtly 
known). It wasn't that Innocence hadn't taken a girl's 
virginity before. She just felt there was something 
sordid in making a film about it, particularly given her 
rather unusual appearance. She wondered what harm it 
might do to a girl whose virginity was taken by a 
freak like her, especially when the whole intensely 
personal event was witnessed by a professional film crew 
and eventually by an unknown number of anonymous video 
purchasers. However, she was assured that the girl, Eve, 
had actually requested that it be Innocence who was to 
do the bloody deed and that she'd undergo the exercise 
with someone else anyway if it wasn't her. Apparently, 
she and her mother, a young widow, had fallen on bad 
times and they saw it as a way of helping them out of 
it. Innocence wasn't so naive as not to realise that a 
film that showed a girl losing her virginity to one 
with her own unique assets would recoup substantially 
more than the average Bleeding Fanny Film and they 
would earn more as a result.

"I'm not going to make a habit of this," Innocence insisted.

"Of course not," said the director - a middle-aged woman 
with greying hair and artificially enhanced breasts - 
misunderstanding her. "No one would want to see you 
typecast in that way!"

The film was to be made in the gardens of a stately home 
that was rented out for the occasion, on a lawn with 
rose gardens and an ornate swimming pool in the 
background. Innocence was very impressed. None of her 
films had been made in such palatial surroundings before, 
and she felt it somehow added a touch of dignity to an 
event which, from a sense of shame, she decided not to 
confess to Dodie. Her lover had her own standards and 
ethics which Innocence respected and in which she more 
often than not concurred. When she left their nice new 
expensive flat they had only this week started renting, 
she gave Dodie only a brief kiss (which would immediately 
inform her that she was off to do a film set that day) 
and evaded rather too obviously all references to the 
kind of film she was about to make.

"If it's just the usual fuck film why don't you tell me more 
about it?" Dodie wondered with a frown, brushing her 
fingers through the quarter inch long stubble of dark hair 
on her head. 

"It's just not worth making a fuss about," Innocence lied, 
trembling with anticipation. No, she definitely wouldn't 
make a film like this again. She just hoped that her lover 
would never find out about it.

The film started as all such films were obliged to do with 
an official examination of Eve's maidenhead by a properly 
qualified doctor. This was the first opportunity Innocence 
had of seeing the girl, who was actually unusually old for a 
virgin - being about seventeen years old but looked more 
like fifteen. She was skinny with pale skin, a slightly 
bulging stomach, small apple-shaped breasts and long 
blonde hair half way down her back. The doctor prised 
open her legs, with the camera focusing on her vagina, and 
examined her with the standard tools for this job.

Finally, he announced to the camera the standard formula 
for these films. "I, Doctor Hamstash, declare it is my 
professional opinion that this young lady's maidenhead is 
intact and that she is medically a virgin." Innocence knew 
that this would not have been the first such examination or 
the filming wouldn't have come to such an advanced state 
of preparedness. She also knew that an intact maidenhead 
didn't necessarily mean that the girl had had no sex at all - 
there was a great deal of sexual activity, including anal 
intercourse, that was possible without damaging her in 
that way at all. However in Eve's case, the virginity might 
be more absolute than was usually the case. The girl was 
extraordinarily gauche and nervous.

The film's plot, if such a term could be given to an exercise 
with a preordained end, was that Innocence should start by 
making love with Eve's mother who obviously hoped to increase 
the material rewards of this exercise by whatever means were 
available. Innocence could judge that the woman must be 
desperate for money because she showed willingness in the 
initial interviews for anal and even fist-fucking along with 
the standard oral and vaginal sex. Innocence was pleased that 
the film didn't involve the girl's father, even if it were 
possible. She had heard of several Bleeding Fanny films where 
the father was the person to breach the maidenhead - an 
incestuous act guaranteed to increase the value of the film. 
Thankfully Hand Job Films adhered to certain standards which 
precluded that form of incest. It encouraged a parental role 
in the target market that was best avoided.

Whatever Eve might be, Dawn, her mother, was definitely 
not inexperienced though she betrayed enough awkwardness in 
her lovemaking to indicate that she'd never performed in 
front of an audience before. Dawn's part involved her 
beginning the action with a kiss on the lawn leading to the 
two of them taking off each other's clothes and very soon 
into more physical acts. Dawn's body was very similar to her 
daughter's - although much heavier as befitted an older 
woman with breasts already beginning to lose their taut 
compactness and buttocks drooping slightly behind her thighs. 
Innocence was soon into the scenes of vaginal and anal 
intercourse, but forswore the fist-fucking after carefully 
assessing the flexibility of Dawn's vagina with her penis.

At this stage, Eve was due to come on set and play the 
standard role of the embarrassed daughter becoming 
steadily more interested in the loveplay between her 
mother and her mother's lover. Innocence was pleased she 
was not expected to make love with her mother or her mother 
with her. Although Hand Job Films had no expressed opinion 
on incest - beyond the standard view that all sexual 
activities were permissible between consenting adults - 
unlike much of their competition in the Bleeding Fanny 
marketplace (like Bloodsports For All and Cuntbusters) 
they deliberately avoided any reference to the possible 
material rewards for filmed incest. The view was that all 
such activity should come about wholly from the actual 
desire of the recently sexually initiated daughter.

Eve began by nervously taking Innocence's penis in her 
hand and putting her mouth to it. She screwed up her 
nose - although whether it was the smell of Innocence's 
organ or the scent left by her mother's vagina it was 
not possible to tell. However, she overcame her aversion 
and was soon taking the penis into her mouth 
and started licking and sucking it until it became so big and 
thick and throbbing that even Innocence was dying to 
release it into the girl's cunt.

The whole lovemaking was filmed on a large white sheet 
which would not normally be left lying around on the lawn 
in a stately home - but of course these sorts of film were 
concerned rather more with gynaecological accuracy than 
any other kind. The actual penetration shots had to be 
made lingeringly, slowly and with the film crew properly 
positioned without disturbing too much the composure of 
the virgin whose eyes were closed and jaws clenched tight 
in fearful anticipation. When Innocence saw the distress 
the activity was causing Eve she felt like abandoning the 
whole exercise, but outside of camera shot Dawn was whispering 
into her ear.

"Go on then! Get it over with!"

This was not the most romantic instruction Innocence had 
ever heard, but she took the message and with a slow 
gradual thrust she pushed deeper and deeper and ever 
deeper into Eve's cunt, not looking down at the crotch at 
all but concentrating her kisses and her caresses on Eve's 
face. "It's all right, Eve! It's all right! Don't worry! It won't 
hurt nearly as much as you think!"

Unfortunately for Eve and for Innocence's reputation for 
telling the truth, it actually hurt the young girl quite a bit. 
As Innocence felt the rip of internal membrane no longer 
resisting her thrusts she also heard Eve's unearthly yell. 
Without thinking she pulled her penis straight out to see 
a pool of red dripping from Eve's vagina and splaying over 
the white sheet where it left undeniable evidence of Eve's 
virginity. 

"Oh God!" Innocence gasped, aghast at the red shine of it 
in the clear midday sun, reflecting off the uncongealed liquid 
on the thighs and on the sheet. "This is horrible! Urrgghh! 
There's so much of it!"

Eve burst into tears, throwing herself into her mother's lap 
where the two naked bodies sat huddled up close to each other 
under the still voyeuristic unwavering glare of the cameras.

Despite Innocence's outburst and Eve's distress, the filming 
was judged to be a success by the director. "We may have 
to edit out some of the more - dare we say - unpalatable 
aspects," she told Innocence. "After all, we are making 
films for masturbatory pleasure and not films of social or 
sexual veracity. And it definitely isn't Hand Job's intention 
to move into the market for films of sexual violence. Some 
of our competitors might feel inclined to re-edit the film 
for the illicit rape fantasy market."

"Rape fantasy?" Innocence shuddered.

"It's not unknown. Bitch Slut Films make films with 
names like She Had It Coming, Ramming Connie's 
Cunt and Blood Between The Knees which are films of 
nothing more than the more upsetting parts of Eve's recent 
sexual initiation linked by rather unpleasant story-lines. 
Never fear, unless one of our operatives is less than 
honest, the less palatable episodes will not be seen by the 
target audience. Hand Job Films has no wish to build a 
reputation for causing its film stars to suffer more than is 
absolutely necessary in our First and Best Time Sex Film 
series."

Innocence's new career as a fuck film actress meant she got 
to meet a variety of people whom she probably wouldn't have 
met otherwise, although she wasn't sure her life was much 
enhanced by having done so. She got to know quite a few women 
and men with surgically enhanced breasts, some of which were 
of massive proportions - larger even than Honore's, and 
consequently even more of a practical liability to their 
possessors when they weren't canvassing for roles in fuck 
films. She got to meet men with peculiarly bent, 
extraordinarily long and thin, and even surprisingly 
tiny penises. She met women with remarkably elasticity 
in their anuses or mouths - able to accommodate any number 
of penises. One particularly acrobatic woman was able to 
get her legs behind her shoulders while being fucked.

Fifteen was an unlikely sex actress on first meeting. She 
was a very modestly dressed girl, who seemed slightly 
gauche regarding any questions on her sex life. Innocence 
felt unusually self-confident and promiscuous in 
comparison. She was also blind and relied on her Labrador, 
Rover, to lead her around. She made a strange sight on the 
film set with her modest clothes, her dull mousy brown hair 
and the white stick she used to avoid bumping into people. 
However, she was actually one of the most in-demand sex 
actresses in the industry because of her particular 
speciality which was to have sex with animals.

It rather horrified Innocence at first (and she never got fully 
used to it!) to see Fifteen performing with dogs, horses, 
donkeys or goats. She would fellate the animals with a care 
and attention equal to that which she showed to Innocence's 
more normal penis - taking ponies' dark penises into her mouth 
and bringing them to ejaculate over her thin naked body. She 
was particularly good at dog fucking - allowing the Alsation, 
Dalmatian or Irish Wolfhound total vaginal or even anal 
penetration and clearly enjoying it as the animal panted, 
barked and slobbered over her, its hairy body above her and 
long thin penis entering her at the peculiar angles necessary 
for this operation. Penetration by rams and billy goats were 
also featured, but donkeys, bulls, horses and camels were 
clearly too monstrously endowed for her, but she made a 
good show of what she could, even going as far as fist-
fucking them in the anus.

Although Fifteen had her own very nice home, it was 
somewhere in the countryside and quite frequently 
Innocence and Dodie invited her to their flat when she 
was staying overnight in Congress. Fifteen made very 
welcome company and enjoyed her political arguments 
with Dodie, but firmly declined any offers of having sex 
with either of them. She stated quite unequivocally that her 
fucking was reserved for her career, and she didn't in any 
case wish to spoil their friendship by introducing a less 
than professional aspect to their lovemaking. 

Despite Fifteen's apparent shyness, Innocence was somewhat 
shocked and discomfited to discover that this attitude 
didn't extend to Rover, as she discovered from hearing a 
mixture of canine noises mixed with Fifteen's own slightly 
shrill cries. Innocence was slightly alarmed - troubled that 
perhaps Rover had turned on her mistress - but when she put 
her head decorously around the door of the guest room where 
Fifteen was staying with her dog, she was shocked to see 
Fifteen lying on her back with Rover on top of her. The 
dog was wagging his tail enthusiastically and eagerly 
licking his mistress's face while his buttocks thrust 
backwards and forwards. Innocence's horrified eyes 
adjusted themselves to the dim light coming from the 
bedside lamp that Fifteen had never thought of turning off, 
and saw that the girl's thighs were wrapped around the dog 
and that Rover was indeed fucking her with no 
embarrassment and with rather less guilt than that 
expressed by dogs on the film set.

Other people that Innocence had got to meet had 
proclivities she found equally distasteful. Wonder, a 
short girl with a cleft palate and a repaired hare-lip, 
had compensated for the shortcomings of her appearance 
by a skill at consuming faeces released into her mouth 
by her male or female on-screen lovers. She would let 
the turd drop out gradually and with the same affection 
that most actresses would show towards an erect penis she 
guided it into her mouth, chewed it up and eventually 
swallowed it. When Innocence was persuaded to make a film 
with Wonder, she had no real idea what was going on as 
she let free the turd she'd been nurturing all day. She 
thought perhaps that Wonder might smear her face and body 
with it, but was somewhat disgusted to realise where it 
did in fact go. She declined the suggestion of kissing 
the girl despite the financial incentives the director 
indicated by holding up his fingers. Wonder's tastes 
were definitely not her own.

Another woman whom Innocence knew but considered 
herself fortunate to have never performed with was all of 
forty stone in weight - which meant she was more flesh than 
body. She watched with repulsion as the male fuck actors 
struggled to enter her body through the massive folds of 
fat that totally obscured her vagina. Her sheer bulk 
meant that these actors were literally risking their 
lives to fuck her. If she fell on top of one of them 
while he was inside her it would probably terminate more 
than his career.

Innocence was glad she'd avoided being typecast in piss films, 
sadomasochistic films, ear-fucking, child sex, razor slashing, 
cat fellatio, tree fucking or anal fist-fuck films. On the 
whole, those that did resort to this sort of film were not 
especially physically attractive. Fifteen was rather an 
exception in that respect. Innocence's blessing was that her 
marketability was not just due to her unusual assets, but 
that, as was made increasingly apparent to her, she was a 
very attractive woman who didn't need the surgery or 
hormonal treatment to develop large breasts, massive 
buttocks, green skin or split vaginas. 

Nevertheless, she still felt slightly soiled by the fact  
she was working in a profession where, however much the 
film makers she associated with might hold dear to 
certain high moral, political or sexual principles, there were 
many others whose only criterion of judgement was the number 
of units their product would sell - and as perversions sold 
well these were particularly attractive to them: the more 
gross, uncomfortable and generally unpalatable the better.

However, as Dodie often reminded her when she reflected 
on her career and where it was taking her, it was through 
her work that she'd been able to afford the beautiful flat she 
was renting and she was enjoying this work rather more than 
working behind the bar at a Night Club.

Innocence knew Leon owned his own business, but she had no 
real idea of what it might be. It wasn't something she cared 
to ask about when she last met the man in Congress. So it 
came as something of a surprise to discover that he was the 
owner of Fuck Flicks, a fuck film company famous for its 
catalogue of homosexual and transsexual videos. The discovery 
didn't come until after she'd been in several films already 
where she had performed in her normal capacity, knowing that 
for the target audience the only fundamental difference 
between her and the transsexuals usually involved in these 
productions was that her body was entirely her own and 
had no enhancement or alteration made to it whatsoever. 

She was surprised while viewing the early cut of the film 
in the company's Congress office to see a picture of 
Leon hanging on the wall, naked as always, and smiling in 
a strangely paternal way. She stood up in the office where 
the director and several of the cast were watching a scene 
in which Innocence was fucking a young man who in 
turn was fucking a slender black girl with fashionably short 
cropped hair a bit like a tonsure (the fashion was no longer 
for totally shaven heads). She examined the picture 
carefully. There was no doubt at all who this bearded, long 
haired man was. She recognised the twist of tawny hair on 
his chest and the small scar on his shoulder which he 
blamed on an unfortunately over-vigorous lover he once had.

"Does Leon perform in your films?" Innocence wondered.

"Leon?" asked the director, standing beside Innocence.  
"Not often. Why? Do you know Mr Legrand?"

"Yes," laughed Innocence, who'd not heard his surname 
before. "I met him on holiday in Brook. What does he do 
then?"

The director explained that Leon was the sole owner of 
Fuck Flicks, and that he also owned a magazine 
publishing company, several brothels and two Congress 
Night Clubs. "He's very rich," he stated, twiddling the 
ring that dangled from his left ear. "He made his money 
in the beginning as a fuck film star, rather like you. As 
you probably know, he's very opulently endowed and not at 
all fussed what kind of sex he indulges in. He made rather 
a lot of films. I can show you a few if you like."

Innocence nodded. It rather changed her view of the man to 
know he had made fuck films in the past. It was also 
bizarre he should now be her employer. It had once occurred 
to her when she was looking for work to ask the man she was 
fucking if he could find a job for her, but she had decided 
not to as it seemed somehow the wrong thing to require of a 
lover (even one who was unable to penetrate her). She now 
understood why Leon never offered her work. He probably 
felt that Innocence would be offended at the suggestion, 
which she reflected was very likely. Her brief experience 
of appearing in a sex film while in Brook did not seem 
quite the career move then as it did now.

The director waited until after the screening of the 
video they were watching, Howard's Rear End. Like 
many films made for the male homosexual audience its 
focus of attention was on taut male buttocks. Innocence 
played the role of someone whose unusual assets were 
never commented on but were fully enjoyed (as was the 
convention for transsexual films), and who had developed 
an affection for a house in the countryside 
where she had once had sex with a number of people. 
Unusually, this orgy scene was near the beginning of the 
film. Throughout the film she made love with several men 
who also made love with each other and with several 
women who had very little sex with anyone except her. At 
the end, she obtained the house and the film ended with an 
open-ended fuck scene with the Howard of the title shitting 
on the lawn in the foreground.

When the cast left after the screening, Innocence remained 
with the director and his boyfriend, a tall man with very 
long hair and a quite thin beard. The director pulled out a 
video entitled Leon of Arabia, and put it in the video 
player.

"This is Leon's first film and as you can see right from the 
start he had a leading role..."

"Not surprising with a dick like his!" commented his 
boyfriend. "Ooohh! The lucky bastard. I so wish...."

Innocence watched the film which had a very flimsy plot of 
young men in desert sceneries waving swords and yelling, 
but for much longer admiring, pawing over, sucking, 
licking and revelling in Leon's monstrous appendage. He 
was frequently fucked from behind, but even then, the 
young Leon whose beard was quite thin and whose chest 
had only the promise of future hirsuteness, was just a little 
too well endowed to have any hope of returning the favour.

"As you can see, not an arse in the world can accommodate 
that monster!" exclaimed the director. "I've seen pricks of 
all sizes - and I've probably seen the biggest the world has 
to offer. Some are long and thin and though you can't get 
all the prick in your arse, at least you can get some of it in. 
At least some of the way!"

"And you can't walk straight for a week after!" laughed his 
boyfriend.

"And then there are big ones that can only get in cunts 
and can't get in arses at all. And then there's Leon's prick! 
Apparently there's only one cunt in the whole world he can 
get his dick into. And what's more he can get it all the way 
in!"

"She must have the biggest fanny in the world!" exclaimed 
his friend. "I'd love to have a taste of Legrand's whopper. I 
bet he comes like a fucking beer can!"

Innocence didn't wish to elaborate on her first hand 
experience, and stayed in her seat to watch more videos. 
There was The Prickholder, which was a relatively 
sad, short sex film that showed the difficulties Leon had 
fucking the Asian wife of the title and how they came 
to a mutually acceptable compromise where she would 
masturbate him while forcing her fingers up his anus. 
Another film was called The Importance of a 
Good Fuck, and featured the frustration Leon had  
fucking some transsexuals and a few men after being 
mistakenly invited to a cucumber sandwich party.

"Doesn't Leon ever have a satisfying time in any of his 
films?" Innocence wondered.

The director skimmed through the video titles. "The 
Portrait of Dorian's Penis? No, at the end of 
the film he has to accept that he can masturbate but not 
fuck. Fuck and his Friends? No, that doesn't end 
very well either. I think you're right, Innocence. Leon hasn't 
had that much fun in his film career. Perhaps that's why he 
went into production rather than acting."

"Queer and TS films weren't meant to be fun when Leon 
was making them," remarked his boyfriend. "It was meant 
to be tragic and sad. You weren't supposed to fancy pricks 
and have a good time. You were supposed to have some kind 
of misery associated with it. It's not like that these days. 
And that's how I prefer it. If you want to wank over 
someone else's prick, you don't want to finish feeling 
pissed off about it. You want to feel like going off and 
fucking someone yourself."




For More : http://www.asstr-mirror.org/files/Authors/Bradley_Stoke/www

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reserved by its author unless explicitly indicated.
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