Message-ID: <25843asstr$966453018@assm.asstr-mirror.org> From: "seanfarragher" <seanfarragher@email.msn.com> X-Original-Message-ID: <NEBBKECCNOEJHMGPDAFHEEHKCHAA.seanfarragher@email.msn.com> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit X-Priority: 3 (Normal) X-MSMail-Priority: Normal X-MimeOLE: Produced By Microsoft MimeOLE V5.50.4133.2400 Importance: Normal Subject: {ASSM} From TxM6 Forced Dream Journal I Date: Wed, 16 Aug 2000 15:10:21 -0400 Path: assm.asstr-mirror.org!not-for-mail Approved: <assm@asstr-mirror.org> Newsgroups: alt.sex.stories.moderated,alt.sex.stories Followup-To: alt.sex.stories.d X-Archived-At: <URL:http://assm.asstr-mirror.org/Year2000/25843> X-Moderator-Contact: ASSTR ASSM moderation <story-ckought69@hotmail.com> X-Story-Submission: <ckought69@hotmail.com> X-Moderator-ID: Lambchop, english From TxM6 Taxi Murders Sextet Hyperfiction Novel http://www.taximurders.com/ (updated August 13, 2000) TxM6 is entirely a work of fiction for adults only. Copyright (c) 2000 Sean Farragher 1038Xfallonforced Dream Journals I & Diary April 11, 1992 to February 14, 1993 Kidnapped by the man called Able and the woman called Lilith, Laurie Catherine Fallon, seven months pregnant at the time of her abduction wrote the history of her Life online to a dead end terminal. She did it to survive. Order by her captors to put her mind out there, she survived and more. (Henry Whitman 6/1995) The Journals Themselves [Free Association as Henry taught when I was 14.] At first, it didn't matter what she wrote. She could have written over and over. "my name is Laurie and I was born October 20, 1965 and am twenty-six years old and not a fucken virgin. I could have been truth and shit like that at the same time. "Watching my every breath, Lilith insisted that I lie," Laurie wrote in an article for the Times Sunday Magazine long after the events. The cunt told me to make it hot, erotic, and prurient. Whispering directions in my ear, she fondled my breasts while I wrote. I remember screaming at her to untie my feet, but when I complained she pinched my nipples or cut lines in my shoulder with a razor. "Make it so my brother gets off on it." Lilith lifted the weight of my breast with her cupped hand. Able was very different, Laurie continued. "When I wrote, he never touched me. He made up for it when I went to sleep. I slept between the brother and sister. Abel insisted I tell the truth, and rewarded me if I interpreted the printout so that it appeared that I loved him. He made me read it aloud to him while he masturbated." "I soon found out that if I didn't say I loved him, he would rape me, becoming more violent if I resisted. At the end, killing him was like killing a child. I had no choice." Eventually, Laurie found pleasure in her words. She said, "At first, I did it out of necessity. If I didn't write, I didn't eat. On the other hand, If I let them know that the writing gave me pleasure, well, maybe they would have stopped me. It was a delicate balance. All the time I pretended what I needed, I kept Henry and Aaron and Angela in my text. Their love sustained me. After a longer time, and especially after my daughter, Molly, was born, I wrote to satisfy myself, and for some reason, that is what they wanted. I have no idea why, and afterwards, it didn't matter. I became the words and them." Interview with Laurie Fallon By Peter Campbell, Managing Editor, Bergen Sentinel, Hackensack, NJ October 24, 1994 PC: How did the writing start. You had written poetry. You knew something of the process. How did the first days go? I know I had a hard time as a POW in NAM writing with a fucken weapon against my head. Laurie: I didn't know what to do at first. My words were not there. Many of those early disks were erased. All Maria wanted was sex and all Abel wanted was love. It got easier. One thing, in the beginning, if I didn't write explicitly that I loved him, Abel would insist on making love for hours. If I resisted, Lilith would hold me down and insist that Abel rape me. As far as I was concerned it was all rape. Something changed during the writing, at the end, I was the one who insisted. And the more I insisted, the gentler he became. I hated that Lilith watched. When she had me, and she did many, many times, I allowed it, and pretended she was Angela. I only did it with Angela twice. With all my experience you think there would be more. I was grateful for Angela. Without her and my memory of Henry and Aaron and some others, I don't think I would have lived.. PC: What did you think of Lilith and why and how did you kill her? All I wanted to do was fuck up that woman. That was my fantasy those first days and every day until she was dead. When I strangled her ironically, I became her. I did it after the child she carried was born. Abel was not there. The infant was a month early. It seemed full term. I brought the infant to a safe house and left it there and then I called the police so it would be found right away. In fact, I waited there, out of sight, and made sure they came. I returned home to tell Able. I had no idea what he would do. He said, "Good. Is the girl safe? He seemed sad it was a girl. When we went to bed, he couldn't get it up, and insisted on making me come. That wasn't the first time I faked it. He never mentioned his sister Lilith again, and I thought I had won. What, I had no idea? That next morning, eating an orange, strange the details you remember, he said the strangest thing: "Know I've done bad things. Can't change them. He asked why I didn't leave him when I had the chance. Did I want to murder him? He said he deserved it. I couldn't believe the conversation. It made me very depressed and sad. For some reason I felt like I was the cause of his suffering. I hugged him and we walked outside near the Hudson River under the Palisades. I remembered thinking that I he was a lovely man, so handsome. We talked for days, and I discovered that Abel was Antonio, and I insisted he call himself by his given name. PC: Did you want to be there? Did you think about your family? No one understands why you didn't run. Where could I go? I was Ariel or Sheila not Laurie. Who would have taken Sheila in? Did you know that I murdered Ariel twice. First, when I set the fire that killed her when she was a girl. Second time, when I allowed her to be captured by the police. I should have killed myself instead of shooting Antonio. One more thing. I did it twice you know. After my daughter Molly was born, Lilith wanted to murder the child. Abel wouldn't let her. I promised to return to them if they would release Molly. I took them to the place where Molly could be safely left. I wasn't alone, but I might have gotten away, once I knew Molly was safe. I thought I loved the man I then called Antonio, his given name. Actually, love is what got me through this whole fucken mess. When I mind fucked myself, Henry, Aaron, Angela, and many others, I escaped the torture, and I kept the child I carried alive. When that child was safe, I had no place to return. I don't remember the exact moment I became Ariel-Sheila. There was no one moment. By the time I murdered Lilith and almost murdered her child I had one lover, his name was Antonio. Laurie believed she had fallen in love with her captors. She identified with them, sympathized, and began to see herself as separate from the person, Laurie, captured on April 10, 1992. By the birth of her daughter (June 16, 1992), she refused to acknowledge the name Laurie, and called herself Sheila-Ariel (Sheela-na-gig) after her long dead twin sister. By the act of murder Laurie finally became Sheila and had usurped the guilt she felt and was made to know by the guilty. Laurie Talks about TxM6 in 2001. During Laurie/Sheila's capture, on Valentine's Day 1993, Laurie accidentally kills Abel while Antonio guns down Malachi. The Police charge Laurie with the murder of Lilith. Tried and Convicted, Laurie pardoned in 2001 writes the story of her fable. Written in prison, Taxi Murders Sextet tells the events more than one story or one novel. I discovered hyperlinks in prison. I was sentenced to life without parole and they fucken trained me on computers so I could teach inmates. As Laurie said in the foreword to the manuscript. "Why do I call the novel a sextet"? "There are six generations, six characters, and six or more possible outcomes. I want to share them all and to affirm that my accidental murder of the police officer had been set in motion long ago. I am not shirking my complicity, my accountability. I am responsible for the accident but, I believe, not culpable for "the murder" of the Detective. It was as much an accident as being captured by Abel and Lilith and held prisoner, beaten, raped, and forced to love. "Final note: I learned during the research that retired Detective Mac Donagh was not only a distant relative, but was my mother's first lover and my father. He never abused me and everyone else did. "Truth is stranger than fiction." More American Adventures in erotica and other works by Sean Farragher: http://www.asstr-mirror.org/files/Authors/Sean_Farragher/ Sean Farragher Poetry Site: http://www.farragher.com (updated 8/13/2000) TxM6 Sites: http://www.taximurders.com http://www.taximurders.com/enfer http://www.taximurders.com/lcfallon -- Pursuant to the Berne Convention, this work is copyright with all rights reserved by its author unless explicitly indicated. +---------------------------------------------------------------------------+ | alt.sex.stories.moderated ----- send stories to: <ckought69@hotmail.com> | | FAQ: <http://assm.asstr-mirror.org/faq.html> Moderator: <story-ckought69@hotmail.com> | +---------------------------------------------------------------------------+ |Archive: <http://assm.asstr-mirror.org> Hosted by Alt.Sex.Stories Text Repository | |<http://www.asstr-mirror.org>, an entity supported entirely by donations. | +---------------------------------------------------------------------------+