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Subject: {ASSM} Bondage Weekend Wager (script)
Date: Thu, 18 May 2000 20:10:58 -0400
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Bondage Weekend Wager
(C) 2000 Archives BBS
http://www.archw.com
felix.Dartmouth@archw.com
Following is a script draft that was used in the production of Bondage
Weekend Wager. It was followed quite closely, but there are some
departures from this script during the actual production.
Characters:
Sydney
Jim
Scene I
Sydney walks into the apartment, wearing a dress. Jim calls hello to
her. He is putting up dishes in the kitchen.
Sydney: "Oh, Hi!"
Sydney walks over the kitchen, and leans on the island. Jim
continues. Sydney is watching him.
Jim looks over at her, a bit uncomfortable
Sydney: Well?
Jim: Well what?
Sydney: Did you forget something?
Jim: What?
Sydney: Our bet! I lost, remember?
Jim: No, I didn't forget, its just that . .
Sydney: What?
Jim leans over the island, looking over at her.
Jim: I didn't think that you would really want to go through with
it. I mean, a weekend in bondage - sounds really pretty tough. I'm
not sure you can handle it.
Sydney: I wouldn't have made the bet if I couldn't handle it. Now, we
have the whole weekend free, and I insist on paying my bet right now.
Jim: Come here, you!
Sydney approaches Jim. He takes her in his arms, and gives her a
quick kiss. Then, he twists her wrists behind her back. She gasps a
bit. She is hustled off camera.
Scene 2
Jim is finishing up the dishes and puttering around the kitchen.
Sydney is now handcuffed, and leg-ironed. A ball-gag is around her
throat.
She tests her handcuffs and fidgets around the kitchen.
Jim: I can tell you aren't going to be much help with dinner
tonight.
Sydney: If you let me out of my restraints for a minute or two, I
could help.
Jim: Oh, no! You were the one who brought this whole thing up.
Those restraints stay on, and I mean, all weekend!
Sydney: What are you making for dinner?
Jim: I'm not sure. In fact, why don't we just go out for dinner,
say to the Black Eyed Pea. If we sat in a booth, not too many people
could see that you were a prisoner.
Sydney: No way!
Jim: The Olive Garden, maybe?
Sydney: No!
Jim: California Pizza Kitchen?
Sydney: Jim, you are not going to take me to a restaurant in these
handcuffs and irons! I would die of embarrassment!
Jim: OK, then, we'll stay here!
Jim finishes putting dishes on the shelf, then takes Sydney by the
arm, and pulls her off-camera.
Scene 3
Sydney is topless and very tightly bound on the couch. Jim is feeding
her a last bite with a fork. She still has a ball-gag strapped around
her throat, and she is collared and chained to the couch.
Jim gives her the final bite.
Jim: There!
Sydney: That was great, thanks.
Jim: Not bad, if I do say so myself.
Sydney: Need any help with the dishes?
Jim: No, Ma'am - here let's get that ball-gag in. Just a second,
I'll be right back.
Jim picks up the dishes, and carries them into the kitchen. Sydney
gives a pull at her ropes, and begins to struggle, looking over to
where Jim is doing the dishes.
After several minutes of futile struggle, Jim returns, straddles
Sydney, gives her a kiss, and unstraps the gag from her throat. He
places it behind her teeth and buckles it tightly. Sydney moans in
protest.
Jim: Heading to the store, love. Be good!
Sydney, realizing that she is alone, puts up a fierce struggle. She
gets up and hops over to the door, the phone rings.
Scene 4
Sydney and Jim are next to the bed, watching TV. Sydney is
straitjacketed.
Sydney: So, you are going to make me sleep in a straitjacket?
Jim: Well, I'm not going to make you sleep, but I'm not taking that
straitjacket off until tomorrow morning. I'm going to sleep though,
and if you keep me up, I'm going to lock you up downstairs.
Now, come here, lie down next to me.
Jim lies down, and Sydney lies next to him. He changes the channels
with the remote control. Sydney tries to kiss him and he ignores her.
Sydney: Jim?
Jim: Huh?
Sydney: I really want you right now.
Jim: Too bad you're locked up for the weekend.
Sydney: Couldn't you let me go just for a little while? I'll do
everything I can for you.
Jim rolls his eyes, and reaches over to the bedside table for the
ball-gag. (final scene is him reaching for the gag)
Scene 5
The shower. Sydney is getting out of the shower in handcuffs (locked
in front) and irons. She is nude. She takes a towel and dries off as
best she can. Then she looks in the mirror and combs her hair, and
brushes her teeth.
Sydney: Jim, I'm finished, can I get dressed now?
Jim: I'll be right in.
Jim enters with a handcuff key, a ball-gag and a rope over his
shoulder. Sydney holds up her wrists. He unlocks one of them, then
quickly twists her wrists behind her back and fastens the handcuffs.
Then, he tightly binds her elbows. She winces.
Sydney: Hey, I thought you were going to let me get dressed.
Jim: I know you thought that!
Sydney is led off camera
Scene 6
Sydney is wearing a pretty dress. Jim is dressed in some different
outfit. She is handcuffed, and her elbows are tied behind her back.
She is also ironed.
Sydney: I am glad I am finally getting to go out! I've been cooped up
in here for days, it seems like!
Jim: We're just going to the drive-through! Are you sure you want
to go?
Sydney: Definitely! What can they do? I'm just tied up. Maybe you
can put a coat over me.
Jim: Good idea. I hope we don't get pulled over by the police!
Sydney: Hey, it's raining outside. I don't want this dress
to get wet. Can I wear a raincoat?
Jim: Now, I did such a careful job of tying you up, and now I have
to let you go to put on a raincoat?
Sydney comes up close to him.
Sydney: Please?
Jim: I guess I'm a sucker for a pretty girl.
He unties her and releases one of her handcuffs.
Sydney puts on a plastic raincoat, and buttons it up. Jim waits
impatiently, closing the handcuffs in its ratchet. Sydney stretches
it out as long as she can.
Finally,
Sydney: There, I'm ready.
Jim: Finally!
He places her wrists into the handcuffs and circles the rope around
her elbows. Sydney is tightly bound off-camera and then blindfolded
and led across the room and downstairs.
Scene 7 (Nipple Clamps)
Sydney is topless sitting with Jim on the couch. Her wrists are tied
behind her back and her legs and knees are tied and cinched. There
is a ball-gag strapped around her throat. They are kissing, and he
tickles her a bit in the ribs. She protests and they keep kissing.
Jim pulls out a set of nipple clamps.
Jim: Here let's get these on you
Sydney: No!
She tries to pull away from him but he holds her. He places the
clamps on (fairly loosely).
Jim: Too tight?
Sydney: Well, not really.
Jim: Let's tighten them up, then!
With his arms around her, he tightens the nipple clamps. After he
finishes, he puts in her ball-gag. The couple try to settle into a
comfortable position. Sydney tries to get her nipple-clamps off by
shaking them.
Scene 8 (Sydney alone, wandering)
Sydney is in a skirt, topless, in nipple-clamps with wrists bound and
in irons and gagged. Camera is in the "telescope room. Sydney
enters the room, like she is wandering around the house, bored. She
comes in slowly, and looks out the window. Then, she looks at herself
in the mirror, adopts different posture, and tries to see her bonds
behind her back.
Then, she tries to find a knot by looking in the mirror and trying to
reach it with her fingers. Eventually, she gives up and slowly leaves
the room
Scene 9 (Sydney hogtied)
Sydney is in a nightdress and a very tight hogtie, gagged, and chained
by the collar to a piece of furniture. She puts up a struggle, then
relaxes, then puts up a struggle and relaxes, etc. She turns over
several times.
Scene 10 (Watching TV)
Sydney is wearing bra and panties. She is handcuffed and leg-ironed.
She and Jim are watching TV. Jim is aimlessly flipping channels.
Sydney: Jim!
Jim: What?
Sydney: Will you quit flipping channels?
Jim: But you always flip channels when you have the remote control
After a bit of silence, Jim resumes flipping channels.
Sydney: Jim!
Jim takes a ball-gag, straps it into her mouth, and holds her in his
arms. She relaxes.
THE END
(C) 2000 Archives BBS
http://www.archw.com
felix.Dartmouth@archw.com
--
Pursuant to the Berne Convention, this work is copyright with all rights
reserved by its author unless explicitly indicated.
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